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‘My Year of Rest and Relaxation’ sounds like a chill, laid-back book that you could probably read on a holiday. But Ottessa Moshfegh’s second novel which was published in 2018 narrates the story of a young girl who starts relying on prescription drugs in order to sleep for an entire year. Loss and grief feature heavily in the story which tackles serious subjects like relationship issues and mental health. The narrator is a young unnamed woman in New York. She is just out of high school and is working as a receptionist at an art gallery. She has a lot of problems, and childhood trauma to deal with. Her father ignored her, and her mother was a drunk who used Valium to pacify her when she was a baby. She thinks of their deaths as just another way in which they rejected her. Worse, she doesn’t like her best friend, Reva and she has always felt used by her boyfriend, Trevor. Now he’s her ex, but she can’t stop obsessing over him. Thankfully, her inheritance allows her to do as she pleases without having to worry about money. So, she decides to take a year off and recover—by taking as many drugs as possible and sleeping for days on end. She believes a chemically induced chrysalis is the only way she can fix herself. Her partner-in-crime in all this is Dr Tuttle whose go-to medical advice is ‘dial 911 if something bad happens’. Moshfegh has been criticized for writing characters who are repulsive or repulsed by themselves. But by doing so, she hits home the fact that people are never perfect. We all have a dark side to ourselves that, as much as we might try, we don’t always succeed in hiding. My Year of Rest and Relaxation is darkly humorous and makes you feel seen and heard, despite not always being able to relate to the narrator. Fair warning though, it could be a little triggering for those dealing with anxiety, depression, or other mental health issues. About the author Ottessa Moshfegh is a fiction writer from New England. Her first book, McGlue, a novella, won the Fence Modern Prize in Prose and the Believer Book Award. Her first novel, Eileen, was shortlisted for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. She is also the author of the short story collection ‘Homesick for Another World’. Four stars Fiction My Year of Rest and Relaxation Ottessa Moshfegh Published: 2018 Publisher: Penguin Press Pages: 304, Paperback  

Madeline Miller, an American novelist, is the author of ‘The Song of Achilles’ and ‘Circe’—retellings of Greek mythologies—both of which have been bestsellers and critically acclaimed as well. Miller spent 10 years writing The Song of Achilles while she was a teacher of Greek and Latin. It’s rated 4.37 on Good Reads. I gave it a straight-up five stars. All my friends, who have read the book, love it. We still talk about it wistfully. I have yet to meet someone who has anything bad to say about the book. Circe, on the other hand, has got mixed reviews. People have either hated it or they have loved it. Unlike with The Song of Achilles, there is no in-between. I put off reading Circe for a long time, even when my best friend was adamant that I read it straight away after she had finished. She even wanted to loan me her copy as I wasn’t very enthused about the cover of mine and she’s not someone who shares her books. It was that good, she said. Having read it now, I have to agree with her even while she smirks and tells me I should listen to her more often. Circe, which came out in 2018, tells the story of the daughter of Helios, the god of the sun, in a refreshing light. Here, Circe isn’t just a figure with uncertain powers or a witch. The first-person narrative format that Miller has decided to stick to in this book too gives Circe a powerful voice, allowing her to tell her story in a way that’s never been told before. For those of us familiar with the mythology, we know Circe has had a somewhat traumatic childhood.  She’s the eldest and least cherished of Perse’s children by Helios. She is mocked for her shrill voice and lack of godly powers. She is exiled to Aiaia for her use of witchcraft to turn nymph Scylla into a sea monster that will terrorize sailors for generations. She does this when Glaucos, whom she is in love with and turns into a god, spurns her for Scylla. It is here, on Aiaia, that Odysseus finds her. The Song of Achilles presented the homosexual love story of the Ilaid and Circe is the feminist side of the Odyssey. Here, we don’t fault her actions as much as listen to the reasonings behind them. Though there have been criticisms about historical inaccuracies in both of Miller’s books, there’s no denying that Miller has once again made these stories widely popular. Circe is an empowering book that finally does justice to a female character that was once portrayed as weak by male narrators. Fiction/Mythology Circe Madeline Miller Published: 2018 Publisher: Bloomsbury Publishing Pages: 336, Paperback

I had no intention whatsoever of watching ‘Qala’ on Netflix anytime soon. It’s not that I don’t like the genre. With the winter gloom around, I was just not ready for a psychological drama. But I was literally peer-pressured into watching the Hindi-language movie, especially with my friends rating it a ‘must watch,’ as I do for some movies. Written and directed by Anvita Dutta, Qala explores multiple psychological themes surrounding its main character Qala Manjushree (Tripti Dimri). Qala is a complex and multi-dimensional character, and the film depicts her struggles towards self-discovery, success, fame, and the despair that gets to her. It is the 1940s in Calcutta, India, and Qala Manjushree is at the top of the rising movie industry. She has just won the ‘Golden Vinyl’ and is making headlines in the local newspapers. But some flashbacks show the audience the dark reality behind Qala’s serenading voice and her mesmerizing smile. Qala’s estranged relationship with her mother Urmila began the day she was born. When the doctor tells Urmila that her other child—a son—did not survive because its twin Qala was stronger and took up all the nourishment from her womb, Urmila looks at her newborn in disgust and almost smothers her. The mother-daughter relationship is tumultuous throughout the entire movie. While Qala tries her best to impress her mother and ignite any emotion for herself, Urmila’s nonchalance in raising her only child is unemphatic and cruel. Urmila, a retired singer herself, always wanted a boy so that she could groom him to become a maestro like her late husband. With Qala, Urmila does teach her music, but is never appreciative of her and doesn’t want her to sing for the movie industry. Qala struggles with abandonment issues and her mother’s constant scrutiny causes her to doubt her own skills. She is struggling with imposter syndrome when Urmila brings home Jagan—an orphan with immense singing talent. Despite Qala desperately fighting for it, Urmila give all her attention to Jagan and focuses entirely on building his career. To Urmila, Jagan becomes the son she lost at birth. A dispassionate mother, a sexist society, and her own inners demons—Qala conquers all to find the success she has been looking for. But her goal leads her to a path of loneliness and abandonment, while also being constantly haunted by a ghost from the past. The movie doesn’t shy away from the harsh realities of Qala’s situation, and the acting by lead actress Dimri is absolutely superb. Her performance is raw and emotional, and she expertly captures the fear, desperation, and resilience of a woman trapped in extreme relationships. The portrayal of her character makes for an emotional and thought-provoking movie. Dimri, who was impressive in her previous lead role in Bullbul (2020), outshines her previous performances as Qala. The actor embodies her layered character and lives every bit of her life on screen. Swastika Mukherjee, as Qala’s mother Urmila, is detestable at times yet some glimpses of her backstory do manage to raise empathy for her. Debutant Babil Khan, son of the late Irrfan Khan, also makes his mark in the movie in his short but important role as Jagan. The cinematography by Siddharth Diwan captures every emotion of the people, time, and space Qala is placed in. And not to forget the music by Amit Trivedi which has already gathered a separate base of fan following. The tracks in the movie are hauntingly beautiful and feel fresh at a time when poorly made remixes are ruling Bollywood. Overall, Qala is a powerful and poignant movie that tackles difficult themes with grace and sensitivity. Writer and director Dutta’s portrayal of sexism in the society and movie industry is particularly noteworthy. She has styled the film in a vintage passion and used a female character to be representative of the women in our society who are forced to face similar situations even in the present times. Who should watch it? ‘Qala’ is a beautifully crafted and emotionally powerful movie that is sure to leave a lasting impression on the audience. It’s a must-see for anyone who enjoys thought-provoking dramas with strong performances and breathtaking cinematography. Rating: 4 stars Genre: Psychological drama Director: Anvita Dutta Actors: Tripti Dimri, Babil Khan, Swastika Mukherjee Run time: 1hr 59mins

The World Cup 2022 final between France and Argentina was quite a thriller. It felt like a scripted movie. But that’s not the only thriller I watched this month. The new series ‘CAT’, Netflix’s first-ever original Punjabi production, comes at par with the World Cup final in terms of thrills, frills, and surprises. Directed and co-written by Balwinder Singh Januja, Rupinder Chahal, and Jimmy Singh, all eight episodes of CAT are equally riveting with stellar acting performances and compact storytelling. Set in Punjab, India, the film highlights the region’s problems, from guns and criminal gangs to drugs and a corrupt system. Gary (Abhishant Rana), a naive Sikh teen, witnesses his parents’ murder during the 90s insurgency. Filled with vengeance, he becomes a police informant codenamed CAT and helps the police encounter the terrorists involved in murdering his parents. After the insurgency is over, Gary’s handler Sehtab Singh (Suvinder Vicky)—a cop—hands him his new identity. Gary then becomes Gurnam Singh (Randeep Hooda), a mechanic who lives frugally and has become a parent figure for his younger siblings. Gurnam is leading an ordinary life, completely away from his past, when his younger brother, Sunny (Danish Sood), is arrested for drug trafficking. This forces Gurnam to seek help from his old acquaintance, Sehtab. Sehtab, now higher in rank in the police force, agrees to help him only if he infiltrates a local drug cartel headed by powerful politician Madam Aulakh (Geeta Agrawal) and helps destroy them. Gurnam has to go undercover again, monitored by police officers Chandan (Pramod Pathak) and Babita (Hasleen Kaur) under Sehtab’s team. Then follows a flurry of adventures, deceptions, guiles, and murders while Gurnam tries to stick to his end of the deal. He then gets on the radar of some dangerous people. The premise of the series—where a retired spy is forced back into action because of his family—is nothing new to the silver screen. The writers of CAT have taken this tried-and-tested formula and incorporated many plot twists and backstories into it to make it a refreshing watch. There is a lot more happening in the storyline than just Gurnam trying to breach into Madam Aulakh’s close-knit drug circle. The series is full of different characters, each with their own backstories, conflicts, and ambitions. This gives CAT the scope to expand from different points of view as the series progresses. Even with Gurnam and Sehtab at the center, there are multiple characters with strong backstories that can lead a whole series on their own if required or if given a chance to do so. The strong writing and direction of CAT are backed by the acting performances. Hooda is brilliant in the lead role. Gurnam’s transformation from an innocent teen to a hardened undercover agent comes with its share of ups and downs. He has his strengths and vulnerabilities. The actor (who I personally feel is criminally underrated in Bollywood) portrays his role with sheer conviction and dexterity. Vicky, a popular Punjabi actor, also makes his mark in the series as Sehtab. Vicky convincingly personifies the ambitious, corrupt, and conniving police officer and has the potential of becoming a formidable enemy of many of the characters in the future. The rest of the cast, including the former Indian beauty queen Hasleen Kaur, have put up convincing performances that match up to the screenplay. In fact, Kaur has de-glamorized herself so much in playing a Punjabi cop that it feels like she is a real-life cop playing herself on screen. This is just an example of how strong the character building is in the series. Who should watch it? ‘CAT’ is a brilliant thriller with more strengths than weaknesses throughout its eight episodes. People who love crime thrillers will definitely enjoy it the most. Even if you’re not so keen on malicious, violent content, you could definitely enjoy CAT for its storytelling, acting performances, and the few peppy Punjabi songs it features. Rating: 4 stars Directors: Balwinder Singh Januja, Rupinder Chahal, Jimmy Singh Actors: Randeep Hooda, Hasleen Kaur, Suvinder Vicky Genre: Crime Thriller Run time: 7hrs (approx.)