The tastiest Crust

 

 The Crust Pizza & Bread in Mid Baneswor (50 meters on the lane right next to Civil Bank) is one of the many restaurants that have recently popped up in the student-rich area and are doing well. The Crust serves the best of pizzas along with a wide variety of Continental, Nepali and Indian delicacies, as well as bakery items.

“Food experience that lasts forever and ever...,” reads the Crust’s highly interactive Facebook page and the enormous reviews and responses from its clientele only corroborates the fact. The homely ambience of the Crust caters to students, working professionals and foodies alike, serving breakfasts, lunches and dinners as well as quick takeaways.

 

 THE MENU

Chef’s Special:

- Newa Pizza

- Cheese Stick Mo:Mo

- Devil’s Horseback

Opening hours: 8:00 am-9:30 pm

Location: Mid Baneswor, Ktm

Cards: Accepted

Meal for 2: Rs 1,500

Reservations: 01-4483383

A harrowing tale of hope

 

 A problem with most works of literary fiction is that they tend to revolve around sad­ness more than joy. Authors seem to think that narratives that are tinged with despair rather than hope are what will get them critical acclaim and so they stick to that route. It’s a rare author who is able to perfectly juggle despair and hope and make the story relatable for everyone. Clare Fisher’s debut novel All the Good Things manages to strike that balance. The result is a tale as hope­ful as it is harrowing. Bethany Mitchell, 21, is in prison because she has done a ‘bad’ thing (we don’t find out what it is till the very end of the book). Her coun­selor, Erika, asks her to make a list of all the good things in her life. Beth thinks that is a retarded idea because she won’t be able to think of anything but upon Erika’s insistence she begins to comb through her memories. As you read the story, which is mostly narrated in sec­ond person and addressed to Beth’s child, you get the sense Beth causes sufferings wherever she goes and is thus fundamentally bad. But what is bad? And what circumstances cause a person to be so? The novel explores these questions. 

 

Beth’s birth mother’s repeated fail­ure to show up for scheduled meet­ings when she is in foster care makes for some heartbreaking memories early in the story. You see how she has been failed by the very people who were supposed to care for her. You understand that the absence of her mother and the love she never got have been responsible for her guilt and lack of self worth. You come to understand and love her, and even find similarities between her thoughts and your own.

 

As the narrative jumps from Beth’s past to her present, the language draws you into the story. Beth’s stark observations and insights make it easy for you to imagine yourself in her shoes. So much so that by the time you know what Beth has done to land in prison you know so much about her that you are willing to forgive her for her crime, no matter how heinous it may be.

 

A good book will have that effect on you. It will evoke consideration and empathy. This book tugs at your heartstrings because Fisher has crafted a flawed character that makes you realize that as humans we are capable of making mistakes but it is forgiveness, for yourself and those who have wronged you, that decides the course of your life.

Sports film chained with genre clichés

 

 Reema Kagti’s ‘Gold’ attempts to bring to screen the fable-like tale of India’s triumph at the 1948 London Olympics where it won the gold in men’s field hockey—for the first time as an independent country. The focal point of ‘Gold’ is the spirited Tapan Das (Akshay Kumar), the manager of the team, as he takes up the ordeal of lifting his country’s flag high in the Olym­pics despite the many financial, institutional and political obstacles that he faces. The film feels gold-coated, with a grand production design reflecting that particular time period. Pity, however, that under this coat there’s nothing that makes it stand out.

 

Kagti is no doubt well versed in sports because she designs screen­play solely based on genre con­ventions. She takes a relatively unknown chapter in Indian sports history and leafs through it with exaggerated tension and antiseptic characterization. One after another, people grace the screen mouthing patriotic one-liners about freedom, nation and brotherhood. They talk and act like movie people, and not for once does Kagti try to draw real emotions from these folks, who, we’re told, are real.

 

Protagonist Tapan Das is modeled on the archetypal coach in sports movie. So by that ritual, Das is some­one who puts his hockey before his family. For a has-been, he has to prove to the federation, his play­ers and to himself that he still can bounce back. Then there are famil­iar sports movie troupes like “you don’t play for yourself but you play for the team” and “tussles between blue blooded players and working class players”. The film manages to incorporate every textbook move to fill its 170 minutes of run time.

 

In the past few years, Akshay Kumar has released many films that tap nationalistic sentiments. He has already taken up the baton of being the Manoj Kumar of his generation. But he pushes too hard as a dramatic actor in Gold, putting on a Bengali accent and engaging in his many jovial antics. But Kumar delivers Tapan Das with unruly effect. He’s delightful in the film’s lighter moments with actress Mouni Roy, who plays Tapan’s demanding yet loyal wife, while in scenes that demand intensity, Kumar under­performs, which many may mistake for subtlety.

 

The film also boasts talented actors like Kunal Kapoor, Vineet Kumar Singh, Amit Sadh and Sunny Kaushal. Their performances are commendable. One would think that if the script had given them more space to grow, they could have made a more lasting impression.

 

Coming to the hockey games, Kagti gives them a distinctly mod­ern touch. The way the players carry themselves doesn’t have the sense of yesteryears’ rawness. They feel polished and too pleasing to the eye. The climactic game has its moments and is played out with great tempo. But until then Gold digresses a lot; the finale deserved a better buildup.

 

With good backing from stars and studios, biopic sports films are hav­ing a great run in Bollywood. But films like ‘Gold’ suggest filmmakers need to get out of the shadow of safe genre filmmaking if they want this type of film to sustain for long.

Coffee with affable Arun

Don’t let the name ‘Coffee Pasal’ fool you. You get a lot more than just coffee in there and it is in no way a ‘pasal’, but rather a complete departmental store if you will. So alongside an extended menu for coffee-based drinks, Coffee Pasal also offers breakfast sets, snacks, main courses for lunch and dinner as well as an assortment of tastiest pastries. There are smoking and non-smoking seat­ing arrangements, and plenty of books and reading material to while away your time. If you’re there to spend time, Arun Ghimire, the co-owner, offers you plenty of “chiya guff”, talking passionately about coffee or anything else you’d like to discuss. Besides its delectable food and coffee, his hospitality is considered another strong point of Coffee Pasal. Go get a steaming cuppa.

 

THE MENU

Chef’s Special:

- Brekkie@Narayanhity

- Oz Style Bush Steak

- Mushroom Risotto

Opening hours: 8 am to 10 pm

Location: Durbarmarg, Ktm

Cards: Accepted

Meal for 2: Rs 2,500

Reservations: 01-4246483