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Warning: If you consider marijuana a ‘drug’ and all those consuming it ‘tyaape’ or ‘addicts’, read no further. This review is not for you. Also, if you believe ‘freedom of expression’ for artists and filmmakers should be subjected to the conservative lenses of a bunch of failed filmmakers and political appointees at the Film Development Board (FDB), go watch the commercial family films released after 2016. 

You can then compare how tone-deaf commercial films with double-meaning jokes and socially embarrassing content pass the board’s notorious radar but a truly witty independent film like “Gaja Baja” gets shredded. Gaja Baja is closer to the reality of Nepali youth and society than most of FDB’s no-objections commercial movies, but who is going to tell them?

Back in 2016, the board had refused to even register “Gaja Baja” as a movie name because (drum roll!) “gaja [marijuana] is a drug and it could promote drug use.” The director, Ganesh Raj Panday, then filed a writ at the Supreme Court and got the decision in his favor. Still the FDB, when approving the film in March 2018, asked all the “vernacular dialogues” to be muted and slapped it with an adult certificate. 

But despite writer/director Panday’s struggles to release the film and all the controversy surrounding it, Gaja Baja proved to be too early for the Nepali audience when it was released in theaters in 2018. Released recently on YouTube, the film’s gradually getting the right attention, and if the hype continues, it might also get that rare “cult status” among Nepal movies. 

Dadhe (Anupam Sharma) and Gorey (Sushil Sitaula) are unemployed best friends who love to smoke pot. The film chronicles a day in the life of this duo that is not only simple-minded but also abandoned by luck. Their mishaps and misadventures as they hustle to get a day’s fix of marijuana make for some hilarious moments. On an old Vespa, Dadhe and Gorey take to the streets of Kathmandu looking for marijuana even as they are pursued by gangster Dhude (Rabin Thapa), whom they owe money.

Also read: The Harder They fall movie review: Retelling a classic story with everything modern 

The film production is a mixed bag of the good, the bad, and the ugly. But as it has already been butchered by the censor board—I think a 120mins+ film was reduced to 80-odd minutes)—we give the ugly a pass and talk only about the good, and maybe a bit about the bad too. The good thing about the film is of course the acting of Sharma and Sitaula as Dadhe and Gorey respectively. The duo of young, lesser-known actors is so convincing it’ll probably be difficult for the audience to see them as any other characters in future movies. 

Then comes the film’s cinematography that brings Dadhe and Gorey’s POVs to the screen. On a screenplay that blows hot and cold throughout, cinematographer Jagopo Raslic and editor Lokesh Bajracharya create a fast-paced series that follow the main characters in their adventures and help the audience relate to their state of mind. A tough task done well. 

Gaja Baja talks a lot about gaja, also giving out stoners’ wisdom at times. And when it comes to the baja part, the music and background score by Nikh & Jata takes you on another high. The musician duo uses a lot of jazz, rock, and the obvious reggae to create interesting soundscapes that aid to the movie’s whole ‘stoniness’.  

Who should watch it?

With Dadhe and Gorey, we get our own versions of “Cheech and Chong.” Movies like Gaja Baja that challenge the norms of Nepali filmmaking are important for the industry’s growth. Too much use of ‘formula’ has kind of infected Nepali filmmaking and when films like Gaja Baja try and break the chain, the audience gets new expectations. Anyways, don’t watch the movie if you’re under 18 or those mentioned at the top. But if you’re neither, Gaja Baja is a must-watch, to enjoy and to support. 

Gaja Baja

Genre: Dark comedy
Rating: 4 stars
Director: Ganesh Dev Panday
Actors: Anupam Sharma, Sushil Sitaula, Barsha Siwakoti
Run time: 1hr 25mins

Set in Cambridge, Massachusetts, in 1997, Writers & Lovers, Lily King’s fifth novel, is narrated by 31-year-old Casey Peabody. She is struggling to finish the draft of her first novel while dealing with college loan debts and the grief for her mother’s recent, unexpected passing while on a trip to Chile with her friends. She works at a restaurant, lives in a tiny potting shed and is lonely. As far as protagonists go, she isn’t charming. There’s a lot that makes her anxious and thus she is often a complete mess. But you can connect with her and even want to reach deep into the pages of the book and hug her, despite her infuriating, selfish, entitled behavior. 

Casey has been unlucky in love. And you can see how that has shaped her and made her subconsciously adjust or lower her expectations. Her father, a teacher, turned out to be a peeping tom and was fired for spying on girls’ locker rooms. The boyfriends she has had over the years have been on and off affairs, with one even calling their relationship ‘the work of the devil’. She later finds that he was married. “Nearly every guy I’ve dated believed they should already be famous,” says Casey. They believed that greatness was their destiny and they were already behind schedule.” There is one ‘writer’ she likes but she backtracks when she finds out he has only written 11 and half pages in three years. “That kind of thing is contagious,” she says. 

Also read: ‘You’ book review: The stuff of nightmares 

Though Writers & Lovers has a bleak and rather insipid start, it’s essentially a story about hope and how you can build the life you want if you persevere through the rough, rocky patches. Though there is nothing unique about the story, it has deep and powerful messages about the choices and sacrifices you have to make in order to turn your dreams into reality. However, the first 80 pages or so will leave you feeling a bit uninvested. They seem a little pointless. But keep at it and by the time Casey is shuttling between two polar opposite romantic interests—Oscar, an acclaimed novelist and father of two young boys, and charming Silas who is closer to Casey’s age and a struggling writer—King’s simple prose and rich emotions have made their mark and you will be hooked.

Writers & Lovers

3 stars
Fiction
Lily King
Published: 2020
Publisher: Picador
Pages: 323, Paperback 

‘You’ by Caroline Kepnes is a psychological thriller that will have you looking at people around you a little differently and doubting their intentions and ways. It makes you hyper aware of how people aren’t what they seem to be and that trusting them at face value might not always be a good idea. Basically, it puts you ill at ease. Why read such a book then?

That’s what my husband kept asking me when I was shuddering, shaking my head, and saying ‘this makes my head spin’ over and over again while reading the book. But to say You is gripping and addictive is an understatement. It gets under your skin and you find yourself in the midst of the action. And you want to know what happens next, so much so that you find yourself reading it at every possible chance—while brushing your teeth and making tea, stuck in traffic, and before bed after a long day.

The protagonists, Joe Goldberg and Guinevere Beck, are both dark and twisted characters. Outwardly, they seem perfect—kind, gentle, not flawless but working on their issues—but both have hidden traits and secrets that can destroy them and those around them. In an interview, Kepnes said shiny, happy people give her the creeps and you can see why: She imagines them to be as sinister as Joe and Beck.

Also read: Before the Coffee Gets Cold book review: Feels like a warm hug

From the first time Joe meets Beck at the local bookstore he manages for Mr. Mooney, he becomes obsessed with her. Starting with googling her name and meticulously combing through her Facebook and Twitter accounts, he digs up a lot of information. Then he begins to stalk her, getting inside her home when she’s not there, following her around town, and reading her emails (he pockets her phone when she gets into an accident of sorts and he ‘rescues’ her). Not only is he in love with Beck but he is sure that she feels the same way and is only distancing herself to avoid hurting her feelings.

You get this eerie sense that much of what he feels and thinks is happening is in his head and are his warped interpretation of events instead of the real thing. And then there is Beck who isn’t entirely innocent and nice as Joe makes her out to be. She is needy, manipulative, and there are ulterior motives behind most of her actions. Joe, the stalker, is a smart guy whose actions are unpredictable and disturbing. He keeps you guessing and gasping. The cumulative effect of it all is a very unsettling feeling. There’s a Netflix series based on the book and, with some minor tweaks, it’s almost as good as the original story. But I’d recommend you read the book before you watch the series. It’s such a thrill to watch your eerie visions unfold on screen.

You

Fiction
Caroline Kepnes
Published: 2014
Publisher: Simon & Schuster
Pages: 422, Paperback

So the good news for movie lovers in Kathmandu is, most multiplexes have opened. The bad news is, many, including yours truly, are still not ready for confined spaces, especially those with zero ventilation and air conditioning in circulation. But those who don’t mind have been enjoying some Hollywood and Bollywood flicks in cinema halls that are half (or more) empty. 

Theater or not, nobody is going to stop us from watching movies so long as we have Netflix, YouTube, and all those other OTT platforms that offer new releases every week. But I have to confess that in the past couple of weeks, my movie-watching has lagged a bit because of the festival season and the ongoing T20i World Cup (which I think Pakistan will win.)

Coming to the subject, most Netflix subscribers would probably have seen a motion poster of “The Harder They Fall” movie in the “recently added” section with the unmissable image of Idris Elba looking ruthless in an old cowboy hat. This is Elba’s second cowboy movie this year after “Concrete Cowboy” but this one’s only more gritty, stylish, and Western.

Well, actually The Harder They Fall turns out to be an American Revisionist Western film—a term I just discovered. Revisionist or Post-Western on Anti-Western is a subgenre of Western films that challenge the norms set by the classic. Here, almost the entire cast is black, a rarity in classic Western or even spaghetti Western movies. 

Historically, black people have contributed as riders, ropers and wranglers in the Western frontier of the mid to late 19th century. It’s just that Hollywood, in all these years, decided to shove the image of gun-slinging, cigar-smoking, out-for-revenge as predominantly white. 

The Harder They Fall challenges this narrative, in its own oddball way that low-key follows the example set by Quentin Tarantino’s 2012 American Revisionist movie “Django Unchained” starring Jamie Foxx in the lead and was a major success, both critically and commercially.‘The Harder’, visibly low-budgeted than Tarantino’s epic, is stylistically close and establishes a group of black people as frontrunners in the American West.

Also read: Midnight Mass series review: A Biblical tale of the ungodly

There is no Western movie without a revenge angle. In this one, Nat Love (Jonathan Majors), as a child, witnesses his parents get murdered at the hands of Rufus Buck (Idris Elba), a deadly outlaw. Like any classic Western, Nat dedicates his whole life to trying to exact revenge for his dead parents and in the process becomes an outlaw himself. In the meantime, Rufus’s gang has grown stronger than ever with the deadly Trudy Smith (Regina King) and quick-draw Cherokee Bill (Lakeith Stanfield) joining him. Meanwhile, Nat gets support from fellow outlaw Bill Pickett (Edi Gathegi), quick-draw Jim Beckwourth (RJ Cyler), Marshal Bass Reeves (Delroy Lindo) and Cuffee (Danielle Deadwyler).

The story, written by its director Jeymes Samuel, is a typical textbook Western. Dozens of movies have been made with the same storyline. What makes this one more interesting is the execution. Not only does the film put the African-American people of the 19th Century in the spotlight and positions of power, it is also molded stylistically to appease the modern audience. 

The cinematography is good where it needs to be and the set design looks like a postmodern version of classic Western movies—deliberately not too elaborate but not too shabby either. The actors, too, fit in accordingly and instead of trying to emulate what’s worked for hundreds of classics in the past, they take a modern approach to performing their roles. 

Writer/director as well as co-producer/co-screenwriter Samuel is also behind the film’s music. The music is what truly drives the film’s modernistic production. Again in the footsteps of the great Tarantino, Samuel’s music does not adhere to the Western classic genre. Instead, the background scores range from hip-hop to reggae to Afrikaan and every other genre one couldn’t possibly associate with Western films a few decades ago. 

Who should watch it?

A fan of cowboy movies or not, “The Harder They Fall” is an interesting watch for anyone who likes a little action, a bit less melodrama and some good music in the background.

The Harder They Fall

Rating: 3.5 stars
Genre: Drama, Western
Actors: Jonathan Majors, Idris Elba, Regina King, Danielle Deadwyler
Director: Jeymes Samuel
Run time: 2hrs 10mins