Seldom do movies celebrate fatherhood. At least not in a way where the loving, compassionate, sacrificing, vulnerable and frail side of a father is portrayed on the big screen without glamorizing the stereotypical ‘manliness’ of screen dads. “Appa” is a movie dedicated to all the fathers. By the end credits, the audience agrees that the common perception of fathers is grossly wrong.

 

Written and directed by Darjeeling-based filmmaker Anmol Gurung, “Appa” has Kollywood’s own Daya Hang Rai playing ‘Birkhey driver’ and ‘appa’ (father) to Siddartha (Siddhant Raj Tamang). Birkhey, a happy-go-lucky driver who ferries tourists around the treacherous Siliguri-Darjeeling road, causes a fatal accident one day, partly because he is drunk. The accident kills a whole family of Bengali tourists with only Sid and Birkhey surviving the crash. Ridden by guilt and with natural protective instincts, Birkhey gets close to Sid, who in turn starts calling him ‘appa’. What follows in their lives is what “Appa” is all about.

 

The plot is simple and organic, so is the casting and the production. Rai as the loveable Birkhey finally makes an impact he had initially achieved in “Loot” (2012). After a string of movies that had him in repetitive and forgettable roles, Appa provides his fans a breath of fresh air. Birkhey, despite his drinking habits, is an affable chap, someone you’d love to know in real life. Rai has put so much life into the character that you feel every bit of emotion with him.

 

Also commendable in their roles are the youngsters Lama and Allona Kabo Lepcha as “Kavya,” his high school love interest. The couple look cute together and the best part is that they do not overdo the romantic bits. The innocence around ‘first love’ is rather sweetly maintained. Legendary filmmaker/actor Tulsi Ghimire also makes a comeback on the silver screen as a catholic priest/teacher with suiting dignity. Albeit in a supporting role, Aruna Karki as the friendly “anggie” (auntie, in local dialect)—a Sherpa woman who runs an eatery on the highway—is another kind-hearted, caring and immediately likeable character you’d want to meet for real. She’s a veteran and that’s how veterans should act. (Pun intended post-Dal Bhat Tarkari and Kumva Karan.)  

 

The best thing about Appa is that the young filmmakers from Darjeeling manage what most seasoned producers and directors in Nepal fail to—capture the essence of their location as well as of the local dialect. The cinematography is amazing and proves why Darjeeling is called the ‘Queen of the Hills.’ But more admirable is the characters in the film internalizing the ‘Daarj lingo’, which is quite popular even in Nepal for its unique diction and embedded humor.

 

The hills of Darjeeling resonate with music and director Gurung, who also takes credit for the film’s soundtracks along with Saikat Dev, has been able to capture the musicality that nature has given them. The songs in Appa are beautiful and the background score just fitting.

 

The film is evidently a low-budget production but Gurung has done a commendable job of holding together the screenplay for 1h 40m. The second half does get irritatingly Bollywoodish and at times lacks creativity, but all the good things about the film make up for these minor lapses.

 

Who should watch it?

Daya Hang Rai’s fans who have never lost their faith in him since “Loot” will definitely be proud of his role in “Appa”. Also, this is a family entertainer with an important message. It’s thus for everybody.

 

Rating: 3 stars

Genre: Family/Drama

Run time: 1 hr 40 mins

Director: Anmol Gurung

Actors: Daya Hang Rai, Allona Kabo Lepcha, Siddhant Raj Tamang, Tulsi Ghimire, Aruna Karki