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Disney will launch a new ad-supported streaming service in the US in December, as it overtakes Netflix in the race for paid subscribers, BBC reported.

The firm reported 221.1 million subscribers across its three streaming platforms at the start of July.

That put it just ahead of Netflix, which has been losing accounts.

But Disney warned that its loss of streaming rights for cricket in India would reduce its subscriber growth compared to previous forecasts. 

The firm, which also owns adult television streaming platform Hulu and the sports-focused ESPN+, said demand for its Disney+ product remained strong.

Pandemic lockdowns provided a boost to streaming services like Disney, but the easing of Covid restrictions doesn't seem to be preventing it attracting new customers.

The company added 14.4 million Disney+ subscribers in the quarter, many of them outside of the US - far more than analysts had expected.

Later this year it will launch a new ad-funded service, which will still be charged at the current subscription rate of $7.99. The charge for the ad-free service will rise to $10.99 per month.

The firm plans to launch its ad-funded service outside the US next year.

Executives said they do not expect the rise in prices to put off customers over the long term. The firm is also seeing strong interest from companies hoping to advertise on the new service, they said, according to BBC.

"We are in a position of strength with record upfront advertising commitment," chief executive Bob Chapek told analysts in a conference call to discuss the firm's financial results.

Disney's subscriber gains have come at a hefty cost, with its streaming business losing $1.1bn in the quarter.

Executives said they expect losses to peak this year, In the meantime, a strong rebound in attendance at its theme parks since the worst of the pandemic has provided the firm with a large financial cushion.

Total revenues in the April-June period jumped 26% from last year, pushing profits to $1.5bn.

Shares in the company jumped more than 6% in after-hours trade after the firm shared its results.

Paolo Pescatore, analyst at PP Foresight, called it a "pivotal moment in the streaming wars" saying Disney had more room to grow than arch-rival Netflix.

Netflix lost nearly one million accounts in the most recent quarter, putting its subscriber total at 220.67 million, BBC reported.

The results "firmly underline my belief that Disney is at a different phase of growth to Netflix", said Mr Pescatore. "There are still millions of users to acquire as it continues to expand into new markets and rolls out new blockbuster shows".

Beyoncé is to re-record one of the songs on her new album, after facing criticism from disability campaigners, BBC reported.

The song Heated, which was released on Friday, contained a derogatory term that has often been used to demean people with spastic cerebral palsy.

The star's publicist told the BBC the word, which can have different connotations in the US, was "not used intentionally in a harmful way".

It "will be replaced in the lyrics", they added, without giving a timescale.

The backlash came just a couple of weeks after US pop star Lizzo apologised for using the same word in her song GRRRLS.

Within days, she apologised and re-released the song, omitting the offensive lyric.

"Let me make one thing clear: I never want to promote derogatory language," she wrote in a statement posted to social media.

"As a fat black woman in America, I've had many hurtful words used against me so I understand the power words can have (whether intentionally or in my case, unintentionally)."

When fans heard Beyoncé's track on Friday, it felt "like a slap in the face", disability advocate Hannah Diviney told the BBC.

"I'm tired and frustrated that we're having this conversation again so soon after we got such a meaningful and progressive response from Lizzo".

Disability charity Scope had asked Beyoncé to re-record the song, omitting the insult. It welcomed the change of heart.

"It's good Beyoncé has acted so swiftly after disabled people yet again called out this thoughtless lyric," Scope's media manager Warren Kirwan said.

"There's a feeling of deja vu as it's just a few weeks since Lizzo also had to re-release a song after featuring the same offensive language, according to BBC.

"We hope this is the last time we see this kind of thing from anyone, let alone musicians with massive global influence."

Some fans had defended Beyoncé, pointing out that the term she used can have a different meaning in the US - where it is often used to mean "freaking out" or "going crazy" (although those terms can themselves be insensitive to people with mental health conditions).

Despite the controversy, Beyoncé's seventh studio album, Renaissance, is expected to top the charts around the world this week.

In the UK, it is currently outselling the rest of the top five combined. The lead single, Break My Soul, is also expected to top the charts, BBC reported.

1. My Old School

When 16-year-old Brandon Lee transferred to a new school near Glasgow in 1993, everyone there noticed something unusual about him. Some even thought he might be living a double life. But no one imagined the scale of the deception that would eventually come to light. In Jono McLeod's documentary, Lee's former classmates and teachers tell his bizarre story – and if you don't want to know the ending, don't Google his name. Lee himself didn't want to appear on screen, so his testimony is lip-synced by Alan Cumming (The Good Wife), and flashbacks to the 1990s are rendered as animated cartoons. Alissa Wilkinson at Voxsays the results are "flat-out fun… like listening to a bunch of friends tell you about the wildest memory they share".

Released on 19 August in UK & Ireland

2.  Luck

In the first full-length film from Skydance Animation, Tony Award-nominee Eva Noblezada provides the voice of Sam, "the unluckiest person in the world". Having grown up in the care system, she hopes to nab some extra good luck for a fellow foster child, and finds her way to a realm where magical creatures – including a black cat voiced by Simon Pegg and a dragon voiced by Jane Fonda – manipulate the human race's fortunes. It may sound faintly sinister, but the director, Peggy Holmes, promises that Luck is full of "positivity and inspiration". Talking to Jackson Murphy at Animation Now, she says, "We've all been through a really hard time together in the world. People really want to sit back, relax, and really be inspired to just keep going. When those bad luck days come, just keep going because there are some good luck ones coming, too."

Released on 5 August on Apple TV+ worldwide

3. Mack & Rita

From Freaky Friday to Big, 13 Going on 30 to 17 Again, lots of comedies have imagined young minds zapping into older bodies, and vice versa. But the new film from Katie Aselton (The Freebie, Black Rock) puts a fresh spin on the formula, by ageing up, rather than using teens and adults. Written by Paul Welsh and Madeline Walter, Mack & Rita features a 30-year-old author (Elizabeth Lail) who has always felt that she was a 70-year-old woman on the inside. After going to a new-age workshop in Palm Springs, she is magically transformed into a 70-year-old woman on the outside, too. In her new identity (Diane Keaton in an all-too-rare lead role), she is a happy, relaxed "glammy granny" social-media influencer, but can that make up for losing 40 years of her life?

Released on 12 August in the US, Canada and Spain

4. Bullet Train

David Leitch was Brad Pitt's stunt double on Troy, Fight Club and Mr and Mrs Smith, and has since become the director of such ridiculously-fun action movies as Hobbs & Shaw, Atomic Blonde and Deadpool 2. And now the two old buddies have teamed up for Leitch's latest shooting-and-punching-fest: Bullet Train. Pitt plays an assassin who is sent by his handler (Sandra Bullock) to grab a briefcase from one of the passengers on a Japanese train, but little does he know that the train is full of other shady characters (Brian Tyree Henry, Aaron Taylor-Johnson, Zazie Beetz, Michael Shannon). Adapted from a novel by Kōtarō Isaka, Bullet Train "is the kind of summer popcorn movie that knows it's a summer popcorn movie," says Nick Romano at EW. "But because it's Leitch at the helm, the action is sharp, slick, dynamic, and always advancing the story."

Released on 3 August in the UK and 5 August in the US

5. Blind Ambition

This intoxicating Australian documentary, directed by Robert Coe and Warwick Ross, has such a perfect underdog story that it would seem far-fetched in a Hollywood comedy. Its four heroes are all refugees who fled from Zimbabwe to South Africa, and found work as waiters, then as sommeliers, before eventually forming Zimbabwe's first-ever competitive wine-tasting team. Their next stop is Burgundy in France, for "the Olympics of wine tasting". Open a bottle of your favourite rosé and enjoy. "While there is a focus on the road to the championship and the outcome of the competition," says Jojo Ajisafe in Little White Lies, "the real joy of Blind Ambition is watching the strength and ambition in the team. How they not only changed the lives of themselves and their families, but also exposed the world to the untapped talent present in Zimbabwe."

Released on 12 August in the UK and Ireland, and 2 September in the US

6. Emily The Criminal

Emily (Aubrey Plaza) is indeed a criminal. In John Patton Ford's darkly-satirical urban thriller, she gets involved in a low-level credit card scam organised by Youcef (Theo Rossi), and builds up to bigger, more violent crimes from there. But maybe, just maybe, her wrongdoings are understandable. Ford makes the case for Emily that with $70,000 in student loans to pay off, and patronising bosses offering her nothing but unpaid internships, she is short of other options. The film is "an entertaining and sharp-edged look at the world in which so many millennials find themselves," says Alissa Wilkinson at Vox, "saddled with enormous debt, a lousy job market, an exploitative gig economy, and the sinking feeling that nothing’s going to get better if you don’t escape the system".

Released on 12 August in the US and Canada

7. The Feast

There aren't many folk-horror movies in which the characters all speak Welsh, but The Feast, directed by Lee Haven Jones, would be worth tucking into whichever language it was in. The setting is a swanky dinner party in the Welsh countryside. A politician (Julian Lewis Jones) hopes to charm some local farmers into letting a mining company onto their land. But their waitress for the evening, the mysterious Cadi (Annes Elwy), has another outcome in mind. "With delicate sleight of hand," says Sara Michelle Fetters at MovieFreak, "the filmmaker examines issues relating to classism, climate change, wealth inequality, sexism and so much more with deliciously malevolent precision. Jones also does not skimp on the blood and gore, the resulting mixture of social commentary and ghoulish mystical terror beautifully upsetting on a primal level."

Released on 19 August in the UK

8. Three Thousand Years of Longing

Seven years on from the turbo-charged Mad Max: Fury Road, George Miller is back at last with another film – and the contrast could hardly be greater. In place of bloodthirsty survivalists racing around post-apocalyptic Australia, we have a demure English academic (Tilda Swinton) at a literature conference in Istanbul. A djinn (Idris Elba) materialises in her hotel room and offers her three wishes, but the academic has read enough myths to know that wishes tend to backfire, so the djinn tries to charm her with fabulous tales from his past. Miller's romantic fantasy, which premiered at Cannes, is a long way from Mad Max territory, but there is a thread connecting the two films. "Like Mad Max: Fury Road before it," says Ben Croll at The Wrap, "Three Thousand Years of Longing is another kind of blockbuster that tries to lead by example, a big-budget fantasia that argues there are more imaginative and original ways for Hollywood to employ its tools."

Released on 31 August in the US and Canada

9. Bodies Bodies Bodies

This "Agatha Christie-style Gen-Z slasher farce" is "one of the horror highlights of the year", says Matthew Turner at Nerdly. Amandla Stenberg and Maria Bakalova (from Borat Subsequent Moviefilm) play a young couple who go to a hipster house party at a rich friend's mansion. Late at night, the twenty-somethings play a game of "bodies bodies bodies", in which the murderer "kills" his victims by touching them. But then, of course, someone actually gets killed. Halina Reijn, the film's director, satirises our resentments, insecurities and social-media obsessions – but also delivers a cunningly-plotted murder mystery. "In short, Bodies Bodies Bodies is a thoroughly entertaining, deliciously twisted horror farce that demands to be seen with as big an audience as possible," says Turner. "Agatha Christie herself would be proud."

Released on 5 August in the US, 12 August in Canada and 9 September in the UK

10. I Came By

Playing a rather different character from the ones he's known for in Downton Abbey and Paddington, Hugh Bonneville co-stars in I Came By as a snooty high-court judge named Sir Hector Blake. Starring alongside him is George MacKay, who plays a Banksy-like graffiti artist whose speciality is to sneak into the homes of Britain's wealthiest aristocrats and do some unauthorised redecorating. But when he is in Sir Hector's London town house, he uncovers a dark secret that puts his life in danger. Directed and co-written by the Bafta-winning Babak Anvari, this Netflix crime thriller promises "classic Hitchcockian suspense via contemporary themes of establishment privilege and corruption".

Released on 19 August in cinemas in the UK and Ireland, and 31 August on Netflix internationally

(BBC reported)

1. My Old School

When 16-year-old Brandon Lee transferred to a new school near Glasgow in 1993, everyone there noticed something unusual about him. Some even thought he might be living a double life. But no one imagined the scale of the deception that would eventually come to light. In Jono McLeod's documentary, Lee's former classmates and teachers tell his bizarre story – and if you don't want to know the ending, don't Google his name. Lee himself didn't want to appear on screen, so his testimony is lip-synced by Alan Cumming (The Good Wife), and flashbacks to the 1990s are rendered as animated cartoons. Alissa Wilkinson at Voxsays the results are "flat-out fun… like listening to a bunch of friends tell you about the wildest memory they share".

Released on 19 August in UK & Ireland

2.  Luck

In the first full-length film from Skydance Animation, Tony Award-nominee Eva Noblezada provides the voice of Sam, "the unluckiest person in the world". Having grown up in the care system, she hopes to nab some extra good luck for a fellow foster child, and finds her way to a realm where magical creatures – including a black cat voiced by Simon Pegg and a dragon voiced by Jane Fonda – manipulate the human race's fortunes. It may sound faintly sinister, but the director, Peggy Holmes, promises that Luck is full of "positivity and inspiration". Talking to Jackson Murphy at Animation Now, she says, "We've all been through a really hard time together in the world. People really want to sit back, relax, and really be inspired to just keep going. When those bad luck days come, just keep going because there are some good luck ones coming, too."

Released on 5 August on Apple TV+ worldwide

3. Mack & Rita

From Freaky Friday to Big, 13 Going on 30 to 17 Again, lots of comedies have imagined young minds zapping into older bodies, and vice versa. But the new film from Katie Aselton (The Freebie, Black Rock) puts a fresh spin on the formula, by ageing up, rather than using teens and adults. Written by Paul Welsh and Madeline Walter, Mack & Rita features a 30-year-old author (Elizabeth Lail) who has always felt that she was a 70-year-old woman on the inside. After going to a new-age workshop in Palm Springs, she is magically transformed into a 70-year-old woman on the outside, too. In her new identity (Diane Keaton in an all-too-rare lead role), she is a happy, relaxed "glammy granny" social-media influencer, but can that make up for losing 40 years of her life?

Released on 12 August in the US, Canada and Spain

4. Bullet Train

David Leitch was Brad Pitt's stunt double on Troy, Fight Club and Mr and Mrs Smith, and has since become the director of such ridiculously-fun action movies as Hobbs & Shaw, Atomic Blonde and Deadpool 2. And now the two old buddies have teamed up for Leitch's latest shooting-and-punching-fest: Bullet Train. Pitt plays an assassin who is sent by his handler (Sandra Bullock) to grab a briefcase from one of the passengers on a Japanese train, but little does he know that the train is full of other shady characters (Brian Tyree Henry, Aaron Taylor-Johnson, Zazie Beetz, Michael Shannon). Adapted from a novel by Kōtarō Isaka, Bullet Train "is the kind of summer popcorn movie that knows it's a summer popcorn movie," says Nick Romano at EW. "But because it's Leitch at the helm, the action is sharp, slick, dynamic, and always advancing the story."

Released on 3 August in the UK and 5 August in the US

5. Blind Ambition

This intoxicating Australian documentary, directed by Robert Coe and Warwick Ross, has such a perfect underdog story that it would seem far-fetched in a Hollywood comedy. Its four heroes are all refugees who fled from Zimbabwe to South Africa, and found work as waiters, then as sommeliers, before eventually forming Zimbabwe's first-ever competitive wine-tasting team. Their next stop is Burgundy in France, for "the Olympics of wine tasting". Open a bottle of your favourite rosé and enjoy. "While there is a focus on the road to the championship and the outcome of the competition," says Jojo Ajisafe in Little White Lies, "the real joy of Blind Ambition is watching the strength and ambition in the team. How they not only changed the lives of themselves and their families, but also exposed the world to the untapped talent present in Zimbabwe."

Released on 12 August in the UK and Ireland, and 2 September in the US

6. Emily The Criminal

Emily (Aubrey Plaza) is indeed a criminal. In John Patton Ford's darkly-satirical urban thriller, she gets involved in a low-level credit card scam organised by Youcef (Theo Rossi), and builds up to bigger, more violent crimes from there. But maybe, just maybe, her wrongdoings are understandable. Ford makes the case for Emily that with $70,000 in student loans to pay off, and patronising bosses offering her nothing but unpaid internships, she is short of other options. The film is "an entertaining and sharp-edged look at the world in which so many millennials find themselves," says Alissa Wilkinson at Vox, "saddled with enormous debt, a lousy job market, an exploitative gig economy, and the sinking feeling that nothing’s going to get better if you don’t escape the system".

Released on 12 August in the US and Canada

7. The Feast

There aren't many folk-horror movies in which the characters all speak Welsh, but The Feast, directed by Lee Haven Jones, would be worth tucking into whichever language it was in. The setting is a swanky dinner party in the Welsh countryside. A politician (Julian Lewis Jones) hopes to charm some local farmers into letting a mining company onto their land. But their waitress for the evening, the mysterious Cadi (Annes Elwy), has another outcome in mind. "With delicate sleight of hand," says Sara Michelle Fetters at MovieFreak, "the filmmaker examines issues relating to classism, climate change, wealth inequality, sexism and so much more with deliciously malevolent precision. Jones also does not skimp on the blood and gore, the resulting mixture of social commentary and ghoulish mystical terror beautifully upsetting on a primal level."

Released on 19 August in the UK

8. Three Thousand Years of Longing

Seven years on from the turbo-charged Mad Max: Fury Road, George Miller is back at last with another film – and the contrast could hardly be greater. In place of bloodthirsty survivalists racing around post-apocalyptic Australia, we have a demure English academic (Tilda Swinton) at a literature conference in Istanbul. A djinn (Idris Elba) materialises in her hotel room and offers her three wishes, but the academic has read enough myths to know that wishes tend to backfire, so the djinn tries to charm her with fabulous tales from his past. Miller's romantic fantasy, which premiered at Cannes, is a long way from Mad Max territory, but there is a thread connecting the two films. "Like Mad Max: Fury Road before it," says Ben Croll at The Wrap, "Three Thousand Years of Longing is another kind of blockbuster that tries to lead by example, a big-budget fantasia that argues there are more imaginative and original ways for Hollywood to employ its tools."

Released on 31 August in the US and Canada

9. Bodies Bodies Bodies

This "Agatha Christie-style Gen-Z slasher farce" is "one of the horror highlights of the year", says Matthew Turner at Nerdly. Amandla Stenberg and Maria Bakalova (from Borat Subsequent Moviefilm) play a young couple who go to a hipster house party at a rich friend's mansion. Late at night, the twenty-somethings play a game of "bodies bodies bodies", in which the murderer "kills" his victims by touching them. But then, of course, someone actually gets killed. Halina Reijn, the film's director, satirises our resentments, insecurities and social-media obsessions – but also delivers a cunningly-plotted murder mystery. "In short, Bodies Bodies Bodies is a thoroughly entertaining, deliciously twisted horror farce that demands to be seen with as big an audience as possible," says Turner. "Agatha Christie herself would be proud."

Released on 5 August in the US, 12 August in Canada and 9 September in the UK

10. I Came By

Playing a rather different character from the ones he's known for in Downton Abbey and Paddington, Hugh Bonneville co-stars in I Came By as a snooty high-court judge named Sir Hector Blake. Starring alongside him is George MacKay, who plays a Banksy-like graffiti artist whose speciality is to sneak into the homes of Britain's wealthiest aristocrats and do some unauthorised redecorating. But when he is in Sir Hector's London town house, he uncovers a dark secret that puts his life in danger. Directed and co-written by the Bafta-winning Babak Anvari, this Netflix crime thriller promises "classic Hitchcockian suspense via contemporary themes of establishment privilege and corruption".

Released on 19 August in cinemas in the UK and Ireland, and 31 August on Netflix internationally

(BBC reported)