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Shirley Jackson is best known for her short story ‘The Lottery’ and the novel ‘The Haunting of Hill House’ that is considered the best haunted-house story till date. It has also been made into a movie, twice. Published in 1962, ‘We Have Always Lived in the Castle’ was her final work. Jackson died shortly thereafter in 1965. She was just 48.

The Blackwood girls, Mary Katherine, also known as Merricat, and Constance, and Uncle Julian are the last surviving members of a grand old family. The rest of the clan were all murdered. Someone put arsenic in the sugar bowl and the family added it to their dessert. Merricat survived as she had been sent to her room before supper and Constance didn’t have sugar. Uncle Julian only took a little so he didn’t die even though it led to tons of health issues later on.

Constance is believed to have been behind it all because she cleaned the sugar bowl before the police arrived. There was a spider in it, she said. The three, and a cat named Jonas, live in the castle where the massacre took place, with only Merricat going into town every now and then for groceries and books.

The story is basically about how the three of them live their lives on a day-to-day basis, isolated from the rest of the town folks and hated (also somewhat feared) by them too. Then a cousin arrives. Charles claims to be worried about them and just visiting but he never leaves, especially after he finds out that the girls keep a lot of cash in the house. While he warms up to Constance, Merricat hates having him around and tries to get rid of him. That eventually complicates things even more.

Narrated from Merricat’s perspective, we only get a sense of what she sees and feels. But she’s neither an amicable person nor a reliable narrator. She hates everyone she meets and though there are many characters in the book, they are all portrayed in an unfavorable light. The mystery is easy enough to figure out with only one main twist a little more than halfway into the story. What makes it charming and creepy is the claustrophobia-inducing setting. You feel trapped in a castle with three eccentric characters, one of whom seems troubled and determined to go to any length to protect her family. There isn’t anything supernatural in this book but you get the feeling that something’s lurking somewhere all through. It spooks you and makes for a compelling read.

3.5 stars
Fiction
We Have Always Lived in the Castle
Shirley Jackson
Published in 1962 by The Viking Press
The current Penguin Edition published in 2016
(For the 70th Anniversary of Penguin Classics)
Pages: 146, Paperback

Shari Lapena published her first book in 2008 but she only became a popular name after ‘The Couple Next Door’ came out in 2016 and became a bestseller in Canada and internationally. I loved Lapena’s 2020 book ‘The End of Her’. It had so many mind-bending twists and turns. Even as someone who has read hundreds of thrillers till date, I couldn’t predict what was going to happen next. Just when I would make up my mind about one thing, something would happen that would make me rethink my previous stance. Lapena knows how to keep her readers on the edge.

 I had been trying to get my hands on her other works for a while, when I came across ‘A Stranger in the House’. I wanted more of this amazing writer who had crafted such real but complex characters and stories. I couldn’t wait to read this psychological thriller that delves into a couple’s seemingly-perfect relationship and the secrets they keep to ensure their lives are smooth. (Trigger warning: the book has repeated references to gun and domestic violence as well as pregnancy and fertility issues.)

Following a whirlwind romance, Karen and Tom have been married for two years. They are very much in love. Then, one day, Karen gets into an accident in a part of town that she never goes to. There has been a murder nearby and the police think she killed the man and fled. The man, who was murdered, had been snooping around their house on and off, claiming to be a ‘friend of the wife’s’. The couple’s neighbor, Brigid, had seen a harried Karen get into the car on the night of the accident.

At the hospital, the last thing Karen remembers is that she was preparing dinner and waiting for her husband to come home. Each of the characters, and there aren’t that many, recollect the night’s events as they try to piece together what might have happened. We see the story unravel through different perspectives.

I wasn’t disappointed but having been exposed to Lapena’s writing style, I saw what she was trying to do. I won’t say I could predict what was going to happen next but I had a good sense of the general direction of where things were headed. Lapena is good at creating tension but her stories, settings, and style are eerily similar. She seems to have a trope or perhaps she thinks she has figured out the formula of success with The Couple Next Door and can’t think beyond that. I’m not saying you shouldn’t read her books. Just don’t read two of her books back-to-back or when one of her stories is still fresh in your mind.

3 stars

Fiction

A Stranger in the House

Shari Lapena

Published: 2017

Publisher: Transworld Publishers

Pages: 371, Paperback

I’m not a die-hard fan of fantasy although I read books in the genre every now and then. Don’t come at me, fans of ‘Harry Potter’ (Potterheads?) and George R.R. Martin, but I never really saw the appeal behind those doorstopper books. I read all seven Harry Potters (not counting the various add-ons here) and the first part in the ‘A Song of Ice and Fire’ series. They didn’t feel as mind-blowing as they were made out to be.

So, naturally, I wasn’t much enthused about the ‘Shadow and Bone’ trilogy despite coming across it at multiple bookstores and people asking me if I had read it. My favorite booktuber (shoutout again to @paperbackdreams) hated it, especially the main character, Alina. She thought Alina was annoying and lame. I usually like and agree with her reviews so I had made up my mind not to pick it up. Then Netflix came out with a series and the promo looked interesting. I hence decided to read the book before binge-watching it. The book is okay, albeit a bit predictable. I want to watch the series now to see what they have done with the story.

A war orphan, Alina Starkov is raised on the estate of a minor noble in Ravka, along with her best friend and fellow orphan, Mal. The two are tested as children for the rare magical ability that would make them a Grisha, elite magician-soldiers of the kingdom. When they are found to have none, they get recruited into the common army instead. Then, during a trek across the Shadow Fold, a swath of impenetrable darkness that crawls with monsters, Alina unleashes a dominant magic that even she didn’t know she possessed. This catches the attention of the Darkling, a soldier close to the king, who believes she is the ‘Sun Summoner’—the only one with the power to destroy the Fold.

My problem with fantasy is that it feels a little too trope-y: There is a hero, a problem to solve and a villain to fight. Just the names and settings are different. Shadow and Bone too follows the same tried and tested path. There’s nothing new here. Hundred pages into the book, I could sense where the story was headed (and I was right). The story would have been riveting if I could have connected with Alina, Mal, the Darkling or any of the many characters that appear in the book. But they are all half-baked and I felt nothing for them. That, in turn, made it difficult for me to get sucked into the world Bardugo has created even though the scene setting is quite good. 

Shadow and Bone was fun while it lasted but I wasn’t actually living in another world while reading it, which is kind of the main point of fantasy, isn’t it?

3 stars 
Fantasy
Shadow and Bone
Leigh Bardugo
Published: 2012
Publisher: Orion Children’s Books
Pages: 307, Paperback

I’m not into romances and love stories. They usually make my eyes roll far back into my head or cringe. I can’t remember the last time I read or enjoyed a romance novel that wasn’t literary or had some other plot going on apart from the boy-meets-girl and-romance-ensues bit. I wouldn’t have read ‘Get a Life, Chloe Brown’ by Talia Hibbert if my absolutely favorite booktuber (@paperbackdreams) and some friends whose reading tastes I like hadn’t been going gaga over it.

‘Get a Life, Chloe Brown’ is the first part in a trilogy of sorts but it works well as a standalone novel too. Hibbert has written three books and each tells the story of a different Brown sister. The second book is ‘Take a Hint, Dani Brown’, and the final one is ‘Act Your Age, Eve Brown’. Dani and Eve both make appearances in Chloe’s book and are interesting characters that you want to know more about. The little of what you get to see of them in Get a Life, Chloe Brown leaves you wanting more and it only seems fair that they each have a book of their own.

Chloe Brown suffers from fibromyalgia, a condition that leaves her in pain, accompanied by fatigue, and sleep and mood problems. Her fiancé dumps her because he can’t deal with her issues and slowly her friends too disappear from her life. She lives in a mansion with her grandmother where everything is taken care of for her. One day, after a near death experience, she decides to take charge of things. The extremely organized and meticulous Chloe makes a list. It includes things like moving out of her family home, going camping, getting drunk, having meaningless sex and other random things.

Then she meets Redford Morgan. He is the superintendent of the building she moves into. Both feel a visceral attraction to each other that they initially try to deny and suppress. But as Redford helps Chloe tick items off her list, they end up giving in to their emotions. What follows is a lot of sweet gestures, hot moments, and ultimately a misunderstanding that eventually leads to a heartwarming ending.

As far as love stories go, it’s an out and out cliché. But what makes Get a Life, Chloe Brown different is Hibbert’s sense of humor that gives Chloe a fun, distinctive and interesting voice and the sensitivity with which the story addresses the issue of abusive relationships. Hibbert also sends out a message of body positivity through her main character who is beautiful and chubby, two traits that are often considered antonyms. It’s a feel-good book that leaves you sighing, giggling, and happy.

Three stars
Get a Life, Chloe Brown
Talia Hibbert
Published: 2019
Publisher: Avon
Pages: 384, paperback

While I’ve always enjoyed good thrillers, horrors and bloodbaths weren’t really my thing. The pandemic changed that. I turned to spooky stuff to get my mind off the very real threat out there. It worked. Now, I no longer need that distraction but I find I’ve sort of developed a taste for it. Readers recommending books that made their skin crawl makes mine tingle in anticipation.

I’d heard a lot about ‘No Exit’ by Taylor Adams. Some friends said it left them traumatized and booktubers would shut their eyes, shake their heads and squeal when reviewing this book. I couldn’t find it at any bookstore in Kathmandu but I finally got the e-book. Twenty pages in, I wasn’t very enthused. I didn’t like the writing style and the setting felt a bit off but things escalated pretty quickly and left me stunned. No Exit is, hands-down, the best edge-of-the-seat thriller I’ve read in a long time.

On her way home to see her sick mother, college student Darby Throne gets stranded at a highway rest stop in Colorado because of a blizzard. There’s no cellphone signal. At the rest stop, there are four other people waiting out the storm with her. Then, Darby sees a little girl locked in an animal crate at the back of a van parked next to her car. She quickly finds out who, out of the four people, the van belongs to and everything from then on is about saving the child and ultimately herself too when the kidnapper finds out she has seen the girl.

The premise feels like that of any other thriller. But what goes down is insane. It’s creepy. The scenes are so vivid. It makes you jump, gasp, and shudder. There were multiple times when I had to put the kindle down and cover my eyes and ears to shake off the images that were forming in my head. I was visibly rattled and my husband, more than once, commented on why I was reading a book that was driving me crazy and making me shriek. Thinking about it now, two weeks after finishing the book, still makes my heart race.

It was so good (if this were a post on Instagram instead of a review in a national newspaper, I’d have put 10, no 20, o’s behind that so.) It’s definitely not for the faint of heart but if you enjoy an eerie, nightmarish read, you’re doing yourself a great disservice if you don’t pick this one up right away.

Fiction
No Exit
Taylor Adams
Published: 2019
Publisher: William Morrow
File size: 1747 KB
Print length: 371 pages

If there is a movie adaptation of a book on Netflix that I haven’t read, I will put off watching it till I’ve gotten around to reading the book. It’s a crime to watch the movie before you’ve read the book, right? I think it should be. However, I must confess, I watched ‘Bird Box’ before reading Josh Malerman’s debut novel by the same name. I had heard so much about it that I just couldn’t stop myself from hitting play. Also, Sandra Bullock, who portrays the protagonist Malorie, is one of my favorite actors.

Bird Box is a dystopian novel where unseen creatures, whose mere sight drives people crazy enough to kill themselves, are taking over the planet. At the beginning of the story, Malorie is seen leaving the house with two children she calls ‘Boy’ and ‘Girl’ to go on a boat ride up the river in search of the safe place that is presumably somewhere out there. The catch is that they are blindfolded and Malorie and the children have to listen carefully to navigate their way despite not being able to see the danger that lurks around them. The narrative alternates between their journey up the river and Malorie’s flashbacks to events that led them to that point.

This is the first time I watched a movie and then read the related book. It’s also perhaps the only time I have liked the movie adaptation better than the book. Is it because I watched the movie first and Malorie was Sandra Bullock instead of a character in my head? Is it because the tension is palpable in the movie and not so much in the book where things appear rather laid back at times? Or is it because I already knew what was going to happen and waiting for it to unfold page by page was a bit taxing?

The book feels a bit stretched out. Malerman builds up tension, a sense of danger, only to have it fizzle out. And there are quite a few such incidents. Then, you know there are some dangerous creatures out there but you don’t know what they are and you never find out. That curiosity is never quelled. It’s frustrating.

Don’t get me wrong; I enjoyed the book. I had a good time. I was a nervous wreck every time I got a sense that something was about to happen. I was rooting for the other survivors—namely Tom, Olympia, Jules, Cheryl, and Felix—even when I knew they were doomed. It’s just that I think I would have loved the book a whole lot more had I read it before watching the movie. Note to self: Never again.

3 stars
Fiction
Bird Box
Josh Malerman
Published: 2014
Publisher: Harper Collins
Pages: 379, Paperback

There’s a lot of Young Adult fiction out there these days. I’m a bit jealous of those who are able to grow up reading these uplifting, important stories that help you understand yourself and the world around you. I wish the stories that are being written today were there when I was growing up. Armed with the wisdom, might I have made fewer mistakes, been a less difficult daughter, and had as much sense at 25 as I think I have now, a decade later? I’d like to believe so.

 The YA books that I’ve been reading in recent times have made me slightly more compassionate and tolerant of people and ideas that don’t necessarily support my stand on things. They might have hit differently and I might have gotten far more out of them had I read them earlier, as a teen or in my 20s. When I was growing up, I was reading mostly for entertainment and stories largely served that purpose too. Not that there is anything wrong with that. But the books that are being written now, with the added value of insight and the experiences of the characters, are so vast and varied.

‘Simon vs. The Home Sapiens Agenda’ is a much-talked about book. Many adult book clubs have chosen to read and discuss this YA novel and almost every booktuber I follow on YouTube has raved about it. Becky Albertalli’s debut novel tells the story of 16-year-old Simon Spier who is gay but hasn’t come out. The only person who knows the truth is a boy named Blue, another closet gay teen. The two meet through Tumblr and they communicate via emails. Both have no idea who the other person is.

Then one day, a boy named Martin reads Simon’s emails to Blue on the school computer after Simon forgets to sign out of his email account. Martin now knows his secret and he wants Simon to help him date Abby, the new girl in school. If he doesn’t figure out how to do that, then Martin is going to tell the entire school that Simon is gay.

What follows is a part-hilarious, part-moving story about the angst of growing up and learning to accept yourself for who you are. It’s also a tender and poignant tale of friendship and love. I thoroughly enjoyed it. The only reason I gave it three stars is because I’m quite stingy with my four and five stars and reserve those for books that blow my mind and have me blabbering about them all wide-eyed. Simon vs. The Home Sapiens Agenda might not have had that effect but it was still a great read.

3 stars
Fiction
Simon vs. The Homo Sapiens Agenda
Becky Albertalli
Published: 2015
Publisher: Penguin Books
Pages: 303, Paperbac

Simply put, Yaa Gyasi is a genius. Her books, and there are two, brim with an unparalleled understanding of the human mind and condition. You don’t just read her stories—you feel and live them. Gyasi, whose debut novel ‘Homegoing’ was published in 2016, has a subdued writing style that makes every word seem important. In 2017, Gyasi was selected as one of Granta’s Best of Young American Novelists and in 2019 BBC selected her debut as one of the 100 Novels That Shaped Our World.

‘Transcendent Kingdom’, Gyasi’s second work of fiction, was probably the most awaited book of 2020. The internet was abuzz with anticipation for another masterpiece from a brilliant writer who was only getting started. And she didn’t disappoint. The book is an excellent meditation on life and how we are sometimes consumed by our losses. But it also celebrates the resilience of human spirit and the way we don’t stop trying to rebuild our lives.

The novel’s protagonist is Gifty, a PhD candidate at Stanford University, who is running an experiment on mice to study the neural circuits of reward-seeking behavior. The mice are addicted to a sugary energy drink and caged in a behavioral testing chamber fitted with a lever that administers either the drink or an electric shock. With the help of optogenetics, Gifty is trying to identify which neurons are firing whenever the mice press the lever. She is interested in those mice that can’t stop pushing the lever, even after being shocked dozens of times.

The experiments are Gifty’s way of trying to figure out why humans do what they do. The driving force behind the study is her need to understand why her brother Nana couldn’t get over his drug addiction and make sense of his death due to overdose. Gifty hopes her work will someday lead to an effective diagnosis and treatment of addiction. Then, her mother comes to live with her after suffering from a relapse of the severe depression she had after Nana died and Gifty’s carefully crafted world crumbles. She is forced to confront some traumatic memories as she takes care of her mother.

I have always loved narratives that explore parent-children relationships. They help me make sense of the complex ways in which we are often forced to navigate it. Stories like that make me realize that you don’t always have to understand your parents and that love is still possible without it. In that way, Transcendent Kingdom really hits home and leaves you with a bittersweet feeling. It’s sad, it’s contemplative, and, above all, Gyasi’s power-packed prose haunts you for days after you finish the book. 

Four stars
Fiction
Transcendent Kingdom
Yaa Gyasi
Published: 2020
Publisher: Viking
Pages: 264, Paperback