A diyo (oil lamp) is an essential part of many Nepali households. Despite its deep cultural and spiritual significance, traditional diyo making is a dying profession, as electric lights and decorative alternatives are becoming more common in religious rituals. Members of the Prajapati caste have long been known for their skilled work with clay. To understand the current state of diyo making, ApEx spoke with some members of the Prajapati community.

Shiva Prasad Prajapati

Yes, it’s true that diyo holds cultural significance in our households. Even today, many rituals and pujas are incomplete without lighting a fresh diyo. That connection to our roots still exists, and I’m proud to be part of preserving that tradition. With modern electric lights and battery-operated alternatives, the younger generation often finds them more convenient. This shift has definitely impacted the demand for traditional clay diyo, but still the amount of the diyo we make are more as usual. Many of us do it more for the love of the craft and to keep our heritage alive than for profit. I believe if more people understood the effort and meaning behind each diyo, they might choose it over mass-produced or electric alternatives.

Ranjana Prajapati

I learned this craft from my parents. Lighting a diyo every morning feels like lighting the blessings for the day. But these days, it’s getting harder. Fewer people come to buy clay diyo, especially young people. They prefer electric lights or decorative items that are easier to manage. I understand—times are changing, but it still hurts to see something so meaningful being replaced. For us, making diyo is not just for festivals; it’s a way of holding on to culture. I just hope the new generation also sees the value in these small, sacred things.

Budhi Ram Prajapati

During Tihar or even daily rituals, everyone used to light clay diyo. My hands have shaped thousands of them, each one with care, knowing it will light someone’s prayer or celebration. Now, people want quick solutions—electric lights, plastic decorations. The art of making diyo is slowly fading, and young people don’t want to learn. There’s not much income, and it’s hard on the body too, especially at my age. This year I didn’t do any of it because of my condition. This is not just work, it’s my identity but I feel very weak these days to do it alone. Some loyal customers still come, especially elders who know the value of real clay diyo.