When sweet music cuts like a knife

Nepal is famous not only as the Himalayan Shangri-La but also as a country with distinct tangible and intangible heritages. Within a relatively small terrain, Nepali communities have preserved these heritages for centuries despite adversities. 

For example, the Damai community has been preserving its musical heritage for ages—without getting the respect it deserves.

Historians believe that the word ‘Damai’ comes from the musical instrument called ‘Damaha’ (a large drum). This musical instrument is made using refined leather and molded by a copper or brass strip into an oval shape. Music is produced through this instrument by beating on its either side with a pair of sticks called gaja. The primary role of a Damai is to play Damaha and other musical instruments like the Sanai for the society on social occasions like weddings.  

In many remote villages of Nepal, people from this community have been performing for the society at homes and temples for extremely low returns, for ages.

Anthropologist Carol Tingey says, “The Damais occupy a unique place within this immense cultural diversity. They are thought to be an auspicious caste in Nepal who are professional musicians while their supplementary caste occupation is tailoring.” 

The cateist mentality prevalent in the society has sidelined this important role of the community, raising a wall between the ‘Dalits’ and ‘non-Dalits’ by undermining their devotion, emotion and contributions and their musical heritage.

This, despite the fact that the Damai musical heritage constitutes the very soul of the Khas culture in Nepal where Damai Baja (musical instruments) are compulsory in every cultural and religious rite or ritual of the Khas community. So much so that puja (obeisance) offered to divinities at their abodes is considered incomplete and in vain without their music.

On different sociocultural and religious occasions, the traditional musicians from this community play three different types of music—the Mangal Dhun, Ramkali Dhun and Malshree Dhun. Their music forms an inalienable part of marriage, Vratavandha (sacred thread ceremony) and other sacred rituals. In Karnali and Far-West regions, their music is essential for invoking Devata (the deities) in fairs, something that points toward the richness, beauty and importance of Damai music in our society.

Delving into their musical heritage, Panche Baja and Naumati Baja—two sets of musical instruments, comprising five and nine instruments—come to mind. Panche Baja consists of Damaha, Tyamko, Jhyali, Sanai and Dholaki whereas Naumati Baja is an ensemble of Panche Baja along with Karnaal/Narsinga and a pair of Damaha and Sanai. According to scholar Ramsaran Darnal, “Panche Baja used to be taken as a symbol of luck and fortune before the Vedic era. In Nepal’s temples, Nagara and other musical components of Panche Baja are played during puja. Due to this religious aspect, the Panche Baja is known as Dev Baja (God’s Band)”.

But the ‘caste system’ has ruined the divinity of this musical heritage, including Panche Baja and Naumati Baja, and its importance in society. Foreign scholars have done their PhD in Damaha, Panche Baja and Naumati Baja while we the Nepalis have failed to study our own musical heritage and realize its importance, thanks to this evil system.

Music is a boon for the whole of humanity, it is something that transcends religions, languages and territories. But in our society, music also signifies a particular community. For instance, we take the Dhime Baja as a heritage of the Newars, associate Dhamphu-Tunguna with the Tamangs and Damaha-Sanai with the Damais. Our ethnocentric thoughts contradict with universal values of music, making us incapable of embracing all these heritages as Nepali music and prompting coming generations to disrespect this heritage of ours. For instance, we do not see parents buying a Damaha for their children nor do we see a child playing the Sanai. Thanks to our mindset, youngsters are playing Western musical instruments like the guitar, drum set and the piano instead of native musical instruments.

Music has that healing effect: it gives humanity immense pleasure, helping it forget pain and sorrow. But for musicians from Dalit communities like Damai and Gandharva, music ends up inflicting torture to a people as it comes with a ‘tag’ and a stereotyped identity. In many villages, Damai musicians have to sit at the corner of the host’s house as the ‘tradition’ forbids them from going inside and eating with others. Even the so-called ‘high-caste’ people dance to the tune of Damai musicians, but they do not bother to show respect to the latter. All that these gifted musicians get as rewards are life-long wounds, disrespect, discrimination and disgust.

Our musical heritage particularly carries casteist flavor and vibes. The so-called non-Dalits give the tags of ‘touchable’ and ‘untouchable’ on the basis of music people play. The Damai and the Gandarva communities of our country are classed among the ‘untouchables’. The sole reason is the profession they hold—the musical instruments they play. Though the scenario has slightly changed, the casteist mentality has not changed much. 

For public consumption, people say, “We all are equal; there is no discrimination at all.” 

But the truth is different. News reports on caste-based discrimination and its consequences feature almost on a daily basis. 

Murder, physical torture, social boycott, segregation, extortion and other forms of punishment against the Dalits are going on unchecked even in an era where an increasing number of Nepali people are getting academic degrees from prestigious universities like the Oxford and TU. 

National development becomes possible with factors like cooperation, equality and social emancipation even when there’s a lack of cultural and natural resources.

Though the Constitution of Nepal has provisions against caste-based discrimination, the old, stereotyped caste system still prevails, ruining Nepal’s cultural and musical heritage, and destroying the beauty of our ethnic diversity. If we do not take caste-based discrimination seriously, this evil will fragment our society into various pieces like in Rwanda.