Unveiling the essence of Chhath: Review of ‘Beneath The Sun’

Jivesh Jha’s ‘Beneath The Sun: Equality for Everyone The Spirit of Chhath Festival’ offers a compelling exploration of the Chhath festival, delving beyond its religious significance to examine its profound social, cultural, and environmental implications. 

To establish its importance, Jha illuminates the festival's historical roots, intricate rituals, and the values it embodies, providing a comprehensive understanding of its multifaceted nature. The book successfully interweaves personal anecdotes, scholarly insights, and references to Hindu scriptures to present a holistic view of Chhath. Jha's own experiences as a devotee add a layer of authenticity to the narrative, allowing readers to connect with the festival on a personal level.

Jha effectively introduces Chhath as a unique Hindu Vedic festival celebrated with great zeal and festivity in Nepal and India. He emphasizes its dedication to the Sun God, Surya, and his consort, Chhathi Maiya, highlighting the belief that proximity to water fosters a connection with the divine. The author traces the festival’s origins, explaining its evolution from Suryashashthi in ancient times to its current form as Chhath, a distinctive and revered sacred ritual.

The book provides a detailed account of the festival's rituals, outlining the four-day observance that includes rigorous fasting, ceremonial bathing, and prayers to the setting and rising sun. Jha meticulously describes the preparations involved, from cleaning water bodies to crafting winnowing baskets and pottery. The rituals include Machh-Maruwa Barnai (The Vow of Purity), Nahay-Khay (Bathing and Eating), Kharna (The Fast Begins), Sandhya Arghya (Evening Offerings) and Usha Arghya (Morning Offerings), which Jha describes with devotional passion. This attention to ritual details allows readers to visualize the festival’s vibrant atmosphere and the meticulous efforts undertaken by devotees.

One of the book’s strengths lies in its exploration of Chhath’s significance beyond mere religious observance. Jha argues that the festival serves as a powerful symbol of social cohesion, bringing together people from diverse backgrounds, irrespective of caste, creed, or social status. He cites examples of Muslim women participating in the festival, further highlighting its inclusive nature. This inclusivity is also reflected in the absence of male priests or the necessity of reciting Sanskrit mantras, empowering women to take on a decisive role.

The author also sheds light on the festival's economic implications, particularly for artisans and farmers. He notes the significance of using locally sourced agricultural produce in the offerings, promoting agricultural productivity and boosting local economies. The book skilfully demonstrates how Chhath intertwines religious devotion with social and economic well-being, creating a sense of shared prosperity and community.

Jha advocates for the festival's inherent message of environmental consciousness. He meticulously describes rituals such as bathing in natural water bodies and cleaning Ghats, symbolizing purification and reinforcing the importance of maintaining clean water sources. He highlights the use of biodegradable materials like bamboo and clay, emphasizing the festival’s eco-friendly approach.

The author connects these practices to broader themes of sustainable development, aligning Chhath’s rituals with the Sustainable Development Goals (SDGs). He argues that the festival’s emphasis on clean water, soil conservation, and the use of organic produce contributes to achieving goals related to poverty reduction, good health, and environmental sustainability. This connection to global development initiatives elevates the festival’s relevance in contemporary society.

Jha eloquently captures the vibrant cultural tapestry woven into the Chhath festival. He describes the traditional art form of Mithila painting, often used to depict the festival's rituals and significance. Additionally, he dedicates a section to the devotional folk songs sung during the festival, emphasizing their role in narrating its significance and conveying messages of equality, social harmony, and environmental conservation.

The author’s inclusion of these cultural elements enriches the book’s narrative, providing a glimpse into the artistic expressions that accompany the festival’s religious observances. The vivid descriptions of the songs, along with their translations, allow readers to appreciate the depth of emotion and cultural significance embedded within them.

While ‘Beneath The Sun’ offers a comprehensive overview of the Chhath festival, there are a few areas where further exploration could enhance its depth. The book provides compelling examples of Muslim participation in Chhath; however, it would benefit from a more nuanced discussion of how different communities within Hinduism experience the festival. The source mentions that Dalit communities may celebrate Chhath separately. A deeper exploration of these dynamics could provide a more complete picture of the festival’s inclusivity.

Jha passionately advocates for the festival's commitment to environmental conservation. However, the book could benefit from acknowledging the challenges to maintaining clean water bodies and promoting sustainable practices, especially in the face of urbanization and pollution. Addressing these challenges would strengthen the book’s call for environmental stewardship.

While the book mentions the use of social media and digital platforms in celebrating Chhath, it could benefit from further examining the impact of globalization and modernisation on the festival’s traditions and practices. Exploring how these forces shape the festival’s future would add a valuable layer to the analysis.

There are minor grammatical errors in the book. The following sentence stands out as an example: “Its the festival which promotes socialism, equality and fraternity among the community members” (Page 25). The correct usage would be “It’s the festival…”. Instead of the ideologically loaded word ‘socialism’, the author could have used the word ‘social harmony’. 

Despite these potential areas for expansion and grammatical glitches, ‘Beneath The Sun’ stands as a valuable contribution to understanding the Chhath festival’s significance. Jha’s meticulous research, coupled with his personal insights, provides a captivating account of a festival that celebrates faith, family, community, and nature. The book effectively highlights the festival’s ability to transcend religious boundaries and promote values of equality, environmental consciousness, and social cohesion.

By illuminating the richness and depth of the Chhath festival, Jha encourages readers to appreciate its enduring relevance in contemporary society. His work serves as a testament to the power of cultural traditions to inspire social harmony and environmental stewardship, offering a hopeful message for a world increasingly seeking sustainable and inclusive ways of living.