Nepal’s climate change struggle through documentaries and cinema

Mamkoila Sarki from Jumla shares the lifelong struggle of accessing clean drinking water. She recalls a time when melting snow was a daily routine for drinking water. Decades ago, crops thrived with minimal spoilage, but now recurrent landslides and unfavorable climatic conditions frequently destroy seeds and paddy, she says.

Sadhana Tharu from Nepalgunj observes rising temperatures over the years. Whereas rainfall used to arrive between mid-May and mid-June, it now occurs between mid-July and mid-August, often leading to flooding between September and October.

Dhanjit Budha from Jumla explains that with many men and educated women working abroad, the remaining women, who rely heavily on agriculture, struggle to support their families. Climate change has reduced agricultural productivity, making survival increasingly difficult.

In the documentary Bahav, produced by Friedrich-Ebert-Stiftung last year, the impact of climate change on water resources is highlighted.

Women in remote districts like Bardiya and Jumla are adapting to climate variability in their villages. According to the World Bank’s Country, Climate, and Development Report, Nepal’s temperature is projected to rise by 0.9°C between 2016 and 2045, further increasing the country's climate risks.

This article will explore how documentaries and short films have brought climate change issues in Nepal to the forefront. It will examine the presentation of climate challenges in various contexts, and whether commercial cinema has adequately addressed these critical issues.

Emerging issues

A documentary produced by the Food and Agriculture Organization (FAO) illustrates how poverty and environmental changes are driving migration. Intense monsoons lead to floods in the Tarai and landslides in the hills, while droughts damage crops, exacerbating food insecurity. For example, in Arghakhanchi district alone, more than 50 percent of households have family members migrating for work. 

Respondents in the documentary noted that climate change has harmed crop yields, livestock, and livelihoods. However, FAO demonstrates that intervention is possible through a problem-solving approach, providing support to affected communities, especially women, who bear the brunt of climate change.

In The Last Yak Herder of Dhe, visual anthropologist Fidel Devkota showcases the challenges faced by Kungshang Rinzin, the only remaining yak herder in Upper Mustang’s climate-vulnerable region. The documentary, featured by WWF Nepal, reveals the population decline in Dhe village due to shrinking grasslands and water shortages.

A documentary by NDI Nepal, supported by USAID, focuses on climate change and governance in Nepal. Stakeholders warn that 21 glacial lakes—sources of the Koshi, Gandaki, and Karnali rivers—are on the verge of bursting due to global warming. This could lead to massive displacement and poverty. Despite many policies, implementation remains a challenge. 

Dr Punya Prasad Regmi, Vice-chancellor of Agriculture and Forestry University, stresses the need for collaboration between the Ministries of Agriculture, Energy, and Forestry to address climate-related policy gaps.

The World Bank report also forecasts drier winters and wetter monsoon summers in Nepal, with river flooding potentially affecting 350,000 people by 2030. Between 2012 and 2019, Nepal’s carbon emissions rose by 26.9 percent, with agriculture contributing 54 percent and energy 28 percent.

Climate storytelling in film festivals

The 19th edition of the Kathmandu International Mountain Film Festival (KIMFF) in December 2021 focused on climate change under the theme “Karma.” The festival screened 40 films from 28 countries. Festival chair Basant Thapa emphasized the deep connection between humans and nature, calling for urgent action to heal the planet.

Notable films included The Icefall Doctor (2021), which portrays the life of Angnima Sherpa, who managed the Khumbu Icefall on Everest amidst environmental and personal challenges, and Bally Peak Outlook 2020 Expedition (2020), documenting a 47-day cleanup campaign led by environmental activist Dawa Steven Sherpa. The campaign, conducted during lockdown, removed 2.2 tons of waste from three mountains.

Other films, like God’s Buffalo (2021) and When Glaciers Go (2021), depict the personal and environmental struggles of rural communities affected by climate change, such as forced migration due to water shortages in Mustang.

KIMFF also organized a short film competition on the theme of “Green Growth—Green Recovery,” receiving 10 films on climate change and environmental issues. A decade earlier, the British Council Nepal and DFID launched the UK-Nepal Climate Change Short Film Competition, with winning entries screened at KIMFF.

While festivals like KIMFF promote climate storytelling, their reach is limited to Kathmandu, and the remote areas most affected by climate change remain largely unaware of these efforts.

Absence of climate stories in commercial cinema

Medical anthropologist and filmmaker Sachin Ghimire argues that Nepali cinema has largely neglected climate-related stories. He believes commercial filmmakers have not explored this issue, although doing so could attract larger audiences and raise awareness.

Ghimire criticizes Nepal’s political system for its failure to prioritize climate issues, blaming a lack of political vision and leadership. Despite some efforts by NGOs and INGOs, climate storytelling in Nepal is often driven by funding availability rather than genuine concern.

Senior movie journalist Samipya Timalsena notes that Nepali cinema tends to focus on entertainment, with few films exploring complex issues like climate change. He believes that creating issue-based movies with compelling protagonists and antagonists is a challenge.

Another documentary filmmaker, speaking anonymously, agrees that bringing such topics to mainstream cinema is difficult without the support of key stakeholders. However, he commends the work of visual anthropologists and documentary makers who continue to address these critical issues.

Climate change activist Arnab Chaudhary advocates for more indigenous storytelling in climate narratives, emphasizing that indigenous communities are disproportionately affected by climate change. He argues that their stories should be told by themselves to authentically reflect their experiences, with non-indigenous allies providing support.

Way forward

Nepal faces many challenges as a developing country, but ignoring environmental issues will only lead to a more uncertain future. Despite contributing just 0.027 percent of global emissions, Nepal ranks fourth in climate vulnerability.

Efforts like Sagarmatha Sambad, a multi-stakeholder dialogue on climate issues initiated by the Ministry of Foreign Affairs, are commendable. The first summit, scheduled for April 2020, was postponed due to the Covid-19 pandemic.

As a signatory to the Paris Agreement, Nepal must continue raising climate concerns in international forums. Domestically, the government must prioritize helping climate-vulnerable communities, especially indigenous groups, through effective policy implementation.

Having grown up near the Mahabharat Range, I’ve seen firsthand how human activity and climate change have altered the landscape. The glaciers are melting, and the floods in the Tarai affect thousands. Living in Kathmandu for over a decade, I noticed this year was especially hot.

Storytelling has always been a powerful tool for understanding and sharing experiences, and it’s time for the entertainment industry to embrace climate stories. Raising awareness through compelling narratives can help create the momentum needed for policymakers to act on climate justice.

Restoring our connection with nature is crucial for a sustainable future. Why not start by reflecting on our relationship with the Earth?