Bijay Baral, the sidekick who isn’t afraid to be one

Most of us know him as Bir Kaji aka B.K from the 2014 film Kabaddi starring Dayahang Rai, Nischal Basnet, and Rishma Gurung in leading roles. In 2015, he acted in Kabaddi Kabaddi, the sequel of Kabaddi, for which he was nominated for best actor in a comic role. His most recent film ‘Jaari’ became one of the highest-grossing Nepali films. Bijay Baral, who made his movie debut in 2013 with Chhadke, is known for his impeccable comic timing and his ability to emote through his expressions. In a conversation with Cilla Khatry of ApEx, Baral spoke about his love for acting, the things he has learned in his journey as an artist, and how being a sidekick works to his advantage. 

What do you think is the importance of stories in our society? 

Stories are important to change how people think and perceive things. Everyone has a story and every story will resonate with someone, somewhere. Every society has different forms of storytelling, be it theater, movies, literature, etc. In Nepal, I believe the most important form of storytelling is conversations that happen in public spaces, especially in rural areas. 

Sometimes, I go to Patan Durbar Squares and see elderly men and women engrossed in heated debates or whispered chats. Sharing your experience and emotions is the most impactful form of storytelling. Another great form of storytelling that makes people think and introspect is forum theater as it engages spectators to take the story forward and even change its course. 

How has Nepali cinema and theater evolved over the years? 

As someone who has spent 15 years in theater and 10 years in cinema, I believe Nepali theater and cinema both have a lot of potential. We are investing in good scripts and telling relevant stories. Nepal is rich in culture and language and that brings diversity to our narratives. Filmmakers like Nabin Subba, Deepak Rauniyar, Abinash Bikram Shah, and Min Bham are paving the way for global recognition. There is a lot of effort being put into making good cinema. 

Theater too has evolved given the limited infrastructure and resources. Many theater groups are doing amazing work. Mandala Theater recently sent 16 students, on a fully-funded program, to conduct theater classes, workshops, and stage shows all over Nepal. When Shabana Azmi was in Nepal, she was surprised to see how wonderfully theaters were operating in Nepal. We are doing the best we can with what we have. 

As an artist, how do you prepare for a role? Who is your role model? 

When I started, I didn’t understand acting. I thought I was acting in every role. I thought I was a good actor. But as time went by, you could say it gave me the maturity to understand what acting requires. Now, I focus on the character and try to understand it as much as I can through research and study. I want to comprehend the character’s psychology, emotions, traits, and behavior patterns before I start a role. 

As far as role models are concerned, I mostly take inspiration from Bollywood actors who do the kind of roles I do or with whom I seem to have physical similarities. The works of actors like Nana Patekar and Irfan Khan have taught me a lot. But I generally don’t like the idea of having a role model and aspiring to be like someone because that way you lose your unique identity. You become a replica of someone else.

What has been the biggest challenge for you as an actor and how have you overcome it?

I’m not well-versed in different cultures and that limits the kind of characters and roles I can take up. Sometimes, my personality also poses a challenge. For instance, in Dimag Kharab I took on an aggressive role. Not only was it different from the kind of fun-loving characters I usually portray, but it was also the opposite of how I am in real life. So, I had to work hard to be believable. The only way to overcome challenges in acting, I believe, is by not taking yourself too seriously as an actor. I try to be a director’s actor when I’m shooting for a film because cinema is a director’s vision. 

What are some of the lessons you have learned in your journey? What do you consider to be your valuable skills? 

The most valuable lesson I have learned is not to be overconfident and overambitious. While confidence and ambitions are nice, too much of either, I believe, will lead to your downfall. It will make you narcissistic and you will lose the ability to think critically. I have learned that as an actor you must be ready to work hard but you mustn’t have a lot of expectations on how the audience will perceive you or your work. All you can do is be honest and true to yourself and your craft. 

I’m someone who likes to talk. I enjoy talking to people. This makes me approachable and, if I might say so myself, likable to a certain extent. Professionally, I think it works in my favor and I consider it an asset. On a personal level, I’m not sure my wife appreciates it very much. She fears I will say random things and offend people (laughs).

Talent or training, which of these two factors is more important to be an actor?

Training prepares you. It gives you the confidence to get on stage or in front of the camera. Back in my village, before I got into acting, I would do caricature. I had a flair for it. But my talent would not have gotten me this far if I hadn’t undergone several acting workshops and courses after I came to Kathmandu. Training gives you the techniques required to become a good actor. Acting is reacting and, for that, you need to observe what’s going on, be emotionally ready to respond, and do that in character. Training teaches you all that and more. Training will also help you transition from one character to another with ease. 

How do you react to criticism? 

I’m human so when someone criticizes my work, especially when I’ve worked hard for a role, I get hurt and a little offended. A little part of me gets angry even though I don’t show it. But I realize feedback is necessary if I want to grow as an actor. I’m generally not the main character in a play or a movie. So, I’m usually not targeted by trolls or receive hateful comments. But there have been times when people haven’t appreciated my work and have told me never to do certain roles again. I’ve taken it in my stride. Comments, both good and bad, can be motivational. I try to channel them into good energy that I will then pour into my next project. 

Do you enjoy reading? 

I prefer reading short stories to long novels. They cater to my imagination. I find I can conjure up images clearly in my head when I’m reading a short story rather than when I’m reading longer fiction. Honestly, I read more scripts than books, and script reading takes time and dedication. But I love Upendra Subba’s poetry and constantly find myself picking up his works. But I must admit that I’m a bit lazy and that I could and should read more.

What projects are you working on next? 

I can’t say for sure which movies I will be a part of but I’m reading a lot of scripts and trying to decide which projects to take on. I have been fortunate enough to have a lot of movie offers come my way. It gives me the boost I need to keep working. One thing I’m trying to do more of this year is theater. We will soon be going to the National School of Drama in New Delhi, India, with a play that’s being directed by Bijay Karki. I’ll also be involved in quite a few plays being produced by Mandala Theater because I want to hone my acting skills and theater is the best way to do that.