Bakhat Bahadur Thapa on turning his experiences into novels

Bakhat Bahadur Thapa is a 58-year-old novelist who began writing at the age of 32. He has written several novels, including ‘Pardesh’, ‘Kuiro ra Kaag’, ‘Kaalchakra’, and ‘Jungey’. He has also penned three short story anthologies. Thapa is a computer hardware technician by profession. In Nepali literature, he has gained fame for his style of using technological expertise to portray societal themes. Babita Shrestha from ApEx spoke to Thapa about his experience as a novelist.

What made you want to write?

After finishing school, I went to India to acquire technical vocational skills. There I struggled a lot. Later, after my return to Nepal, I used to tell my friends about those days and they would listen to me with great interest. One of my friends happened to be a journalist at the time and he asked me to write some stories. That was the turning point for me to pursue a career in writing. But later I couldn’t get in touch with him so I published the work myself. That was how ‘Pardesh’ came out in 2001. 

How many books have you published so far?

My first book ‘Pardesh’ is centered on facts regarding the brain-drain in Nepal. It explores various psychological aspects as well as illustrates the plight of Nepalis living abroad. I then published ‘Kuiro ra Kaag’. It’s about polygamy in the western part of Nepal. Following that, I released ‘Kaalchakra’ in 2007. The novel subtly highlights the Maoist insurgency period while making references to the corruption, fraud, and slavery in Nepal. I published ‘Jungey’ in 2014 to reflect the political and economic situation in rural areas in Nepal. After three years, I released its sequel, ‘Jungey ko Diary.’ I authored ‘Deshan’ in 2021. It’s about an epidemic and environmental issues. Besides that, I have written three collections of short stories, including ‘Computer Aatanka’, ‘Sheershak Sangai Sarita’ and ‘Aaghat’.

Can you run us through your writing process?

The majority of storylines and events are inspired by incidents I experience. Turning many social situations into fiction, in my opinion, is the primary method of creating a novel. Take ‘Pardesh’ for instance. My experiences of traveling from Dailekh to Delhi, as well as my first encounter with electricity, trains, and electrical devices, have all been turned into a novel. Simple events establish a plot and I embellish it with words and my own sense of style. As I write, I also strive to balance the plot with themes, give the words a deep meaning, and use figurative and metaphorical language.

Being a novelist yourself, what sorts of novels do you enjoy the most? Are there any authors or novels that have had a significant impact on your writing?

For me, reading literature is about making room to educate, entertain, and inform oneself. So I like novels which embrace social issues, impart knowledge, and have logic. I enjoy narratives that are humorous. I’m passionate about reading. I became a fan of Diamond Sumsher Rana after reading ‘Seto Baag’. I also enjoy reading Maxim Gorky. He is another one of my favorite authors. What really impresses me about these author’s works is how well they portray the story while incorporating fresh vocabulary and deep implications.

What is the most rewarding aspect of being a novelist?

When people acknowledge me for my contributions, I consider that to be my greatest success. There was a time when I had to go to Tribhuvan University to fix a computer. The person I was supposed to meet didn’t recognize me at first but she later came up to me to ask if my stories were included in the Grade 12 curriculum. When I confirmed her suspicions, she told me that I was well-known throughout the institution. Hearing that was like music to my ears.

Thapa’s Picks

‘Alikhit’ by Dhruba Chandra Gautam

It’s Nepali fiction first published in 1983. It’s the story set in an unidentified village in the Tarai region of Nepal.

‘Aama’ by Maxim Gorky 

The Nepali translation of Mother by Maxim Gorky was published in 2018. It’s a story about the lower class women working in a Russian factory and it highlights the struggles and poverty of the society in the Russian Empire.