It’s a bit like “Kill Bill” mixed with “Salt” and “Lucy” and a dozen other Hollywood productions that have femme fatales as their central characters. And like most Hollywood flicks that feature female assassins, Netflix’s latest release “Kate” is stylish, fast, violent and centers on betrayal as its main theme.
Such a cliché if you ask me, when some of the most dangerous women on earth have to be scorned at first to unleash their wrath upon men. It’s like they have to be brutally betrayed every time to find a purpose in life. Personally, I find this approach to filmmaking crudely reductionist and overused.
Still, the American action thriller Kate is a fast-paced visual delight that’ll keep you entertained much more than the Hindi-language anthology “Ankahi Kahaniya” which was my initial choice for the review. But as its name suggests, the stories in “Ankahi Kahaniya” would have been best left untold. It’s a yawn-fest!
Now coming back to Kate, the movie is a commercial production that at times feels like one of those ‘fan-made’ trailers on YouTube which are created by cutting scenes from various movies and joining them in a sequence. So formulaic and unoriginal is Kate that you know who the actual villain is even before half-time. But there are elements that keep you entertained and not make you feel like you’ve not wasted your time.
Also read: Shikara: Visually engaging but sans vision
Kate (Mary Elizabeth Winstead) is a deadly assassin who has been groomed from early childhood by her handler Varrick (Woody Harrelson). Even though she is a ruthless assassin, Kate and her agency have one understanding, one rule—they never kill a target with children nearby. But on one mission, Kate is forced to assassinate a high-ranking yakuza boss who is with his teenage daughter Ani (Miku Martineau).
Cut to almost a year later and Kate, haunted by her memories of terrorizing a young kid, decides to retire from her job. She discusses her retirement with Varrick, who is not very pleased with the decision but still agrees with her choice. But on her final mission to kill another yakuza boss Kijima (Jun Kunimura), Kate finds she is poisoned with a deadly substance called Polonium-204 which has no known antidote and she will die in the next 24 hours. What she does to find out who betrayed her and how she extracts revenge makes up the rest of the film.
As reluctant as we are to give out spoilers, we’re sure more than half of our dedicated movie watchers have already guessed the finale. Directed by Cedric Nicolas-Troyan and written by Umair Aleem, Kate is rummaged into an old Hollywood mold and then adorned with modern glitters to make it acceptable for the current audiences.
The cinematography, editing and background score of the movie combine to make it an exciting package. Together, they make the action sequences, which make up almost 70 percent of the film, seem fresh and captivating. Actor Mary Elizabeth Winstead seems to have trained herself well to pull off the hand-to-hand fight sequences as well as sword- and gun-fights. As the titular character, Winstead gets the most screen time in the 1hr 46mins movie and is impressive for most parts. But there are times, mostly during emotional scenes, when the actor feels like she’s too tired to act because of all the action sequences she had to perform.
When the titular character gets the most screen time, the supporting actors, no matter how talented, lose their presence. This happens in Kate to veterans Woody Harrelson and Jun Kunimura. The characters performed by the two seasoned actors do not get much thought in writing and are underwhelming to say the least. The potential they carry as actors and the impact their characters could have had are somewhat lost in the fast-paced sequences and linear storytelling of Kate.
Who should watch it?
Kate is a Hollywood masala film and we know by experience that masala films always tend to get good audiences. So for people who don’t mind watching a repetitive storyline in return for some eye-catching action sequences, Kate is definitely an entertainer.